Hey Dave – I travel a lot, which I often use as an excuse. But I will confess that my biggest hurdle is that it’s such a challenge to sit down and just be creative on the spot. Putting something on paper that is funny feels like a chore, although being funny on the fly is a breeze. Do you encounter that question a lot? – R.M.
Hey R.M. – Yeah, I do get that one a lot. But in a way, you’ve already answered your own question. You’ve creatively written out the solution and only need someone (in this case – me) to point it out for you. I could do that in just a few sentences, but that would make a very short FAQ and Answer for this week. So instead, let me be creative for a moment…
I remember taking an advertising class in college. Everyone in the class knew when the final project – a creative advertising campaign – was due. But instead of working with the professor’s schedule, (oh come’on – it was college and homework wasn’t always on my schedule!), I waited until the night before to start the project.
Talk about having to be creative on the spot, that was the ultimate. I cleared my desk, cleared my head and sat staring at a blank computer screen most of the night. I came up with some nonsense that got me through the class, but it could’ve been a lot better if I had done it on the fly when I was truly feeling creative.
It’s tough to write when you have to. There are writers that can do it, and I’ve known a few in Hollywood. They’re called professional writers and get paid a lot of money for what they do. They can come up with a Tonight Show quality comedy set or a treatment for a sitcom episode almost on demand.
But notice I said a few. Most of the comedians and speakers I’ve worked with are better writers when they feel creative – not when they have to be creative.
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There’s a great story in my book How To Be A Working Comic from a very well known comedian (and I’m still crazy about her – ha!) about comedians taking laptops on the road to write new material. She did the same thing, but when she sat down in her hotel room at a scheduled time to write, the creative inspiration wasn’t there. That’s not how she writes. She lives – then writes about it. She closed the laptop, went out, and then wrote about it when she returned.
To use your term, she learned the best way for her to write was on the fly. So to give your question a specific answer…
You’ve got it all wrong.
For example, when you travel a lot you should be getting material by the plane load (or car load – whatever). Writers, whether comedians or speakers, carry a notebook or audio recorder at all times. When they feel inspired (creative) that’s when they write. It could be an experience, a thought, an overheard conversation, opinion from a magazine article, an observation – whatever. It could be an entire bit, a premise, or just a couple words.
Then later you would go over these notes. Do they still inspire you to write more about a certain topic? Can you combine some of these various ideas to make an outline for a story or comedy bit?
But even then you’re not finished.
Creative writing, whether it’s for a comedy routine or a humorous presentation, can be an ongoing process. If you have a good idea, continue making notes about it when you feel inspired. You can add details, descriptions, punch lines or whatever whenever the ideas hit you. And the best part is that your material can be filled with truth and/or lies. It doesn’t matter.
It’s called creative license.
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An expert example of this is in my book Comedy Workshop: Creating & Writing Comedy Material for Comedians & Humorous Speakers. I’m not trying to make another sale (well… okay, maybe a little, but I took an advertising class in college and sometimes can’t help it). The advice comes from the legendary comedian George Carlin who practiced this method using notebooks, audio recorders and computer files. It’s truly genius stuff and as he told me during our conversation (which I recorded because I always carry an audio recorder and notebook):
“The material would eventually write itself.”
You can find it in the chapter called The Best Comedy Writing Advice Ever. And believe me, I wasn’t using creative license when I named it that.
Okay, so maybe I’m more long-winded than creative with this answer, but I’m sharing advice with you that works. You could be like legendary songwriter Brian Wilson of The Beach Boys who once put his piano in a sandbox (in his living room) so he would be inspired to write songs about surfer girls and dudes.
Or you can just go out and live it.
So to point out the answer you already had in your question: If sitting down and trying to put something on paper that is funny feels like a chore, then do it when you’re being funny on the fly. Take notes as you’re living it and write about it later. If it worked for Carlin and countless other creative writers, it can work for you.
Comment? That’s what the form below is for. In the meantime, thanks for reading and as always – keep laughing!
Dave Schwensen is the author of How To Be A Working Comic: An Insider’s Business Guide To A Career In Stand-Up Comedy, Comedy FAQs And Answers: How The Stand-Up Biz Really Works, and Comedy Workshop: Creating & Writing Comedy Material for Comedians & Humorous Speakers.
Copyright 2015 – North Shore Publishing.
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