Archive for the ‘comedy writers’ Category

Bomb Alert! Here’s an on stage survival guide

December 18, 2016

Hi Dave – What should you do if no one is laughing or if you realize that you are starting to bomb? – A.B.

Hey A.B. – Duck and cover. Okay, if that’s not the answer you’re looking for, here’s another one I’ve seen work…

But first a definition.

Charlie Chaplin

Taking cover

Some of our readers may not understand what you mean by bomb. That’s when you’re doing your best to entertain (comedians) or entertain AND inform (humorous speakers) and NOTHING is working. The audience is not laughing, you’re starting to panic, you begin to sweat, and you have this overwhelming feeling that everyone in the room HATES you.

That’s called Bombing 101. And if you ever get used to it you’re in the wrong business. I don’t know any comedian who hasn’t gone through the sensation. If they claim they haven’t, they’re playing a joke on you.

The dedicated comics never let bombing on stage stop them from performing again. But the smart ones use the experience to learn something. And what they usually learn is what NOT to do on stage again that caused them to bomb in the first place.

—————————————————————————-

Winter 2017 Comedy Workshop

At The Cleveland Improv starts Saturday, January 21st!

Workshop Marquee 150

Workshop showcase performance at The Improv

Wednesday, February 8th at 7:30 pm

Space is limited to 10 people – for details and to register visit…

TheComedyBook.com

*

———————————————————

As an example:

In my book Comedy FAQs And Answers I talked with comedian George Wallace about this. He told me how he first started his career under the stage name The Reverend George Wallace and would use a phone book like a Bible. It worked in NYC, but when he played his first road gig in upstate New York, the audience hated his act. He was paid to do an hour – and he did an hour – but it was a mega-ton bombing experience. He told me that during the drive home he thought about driving his car off a bridge because he felt so bad.

But the learning experience was that he would NEVER allow himself to go through that again. It made him rethink and change everything about his act and his comedy voice (who he was on stage). The Reverend title was gone and so was the phone book. He decided that if he was having fun – a party – on stage, so would the audience. When the audience is having fun – when they’re in a party mood – you’re NOT bombing.

And if you’ve ever seen George Wallace perform you’ll know what I mean. He’s become immune to bombing.

So you want some advice? Okay…

Young Frankenstein

Talk WITH the audience!

If you feel like you’re starting to bomb, a technique or trick (for lack of a better term) I’ve seen some other big-name comics use to turn the situation around is to talk TO and WITH the audience. Seriously, I’ve seen it more times than I can remember. Forget your material for a moment – especially since they don’t appear to like it anyway – and bring the audience into the show.

Here’s an example…

When I was scheduling the comics for the Hollywood Improv, one of our most dependable (meaning funniest) acts was not only a great performer but also a GREAT writer. Comics in my workshops know who I’m going to talk about because I always name (drop?) names. But since I didn’t do an interview with him for one of my books and haven’t been in direct touch lately to politely ask if I could drop his name here, I’ll just keep his identity secret. But I’ll drop a hint that when another big-name star took over hosting a big-name late night television show, this comic was brought in as the Head Writer.

That’s how much respect this guy has in the comedy business!

His material is great and I’ve always enjoyed watching his sets because of that reason – great material. But I remember one evening at The Improv when the audience just wasn’t getting it. I have no idea why not, but it happens to all comics at some time or another.

Anyway, much to my astonishment and confusion, his material wasn’t working. But as I watched, he took the microphone out of the stand (which he rarely ever did), walked to the front of the stage and started talking TO and WITH the audience. He really looked at the individuals and REALLY had conversations.

He kept it simple, easy, and made it comfortable for everyone to be involved in what he was doing.

Where are you from?” and “What do you do for a living?” types of questions led into some very funny replies and ensuing conversations. And once the audience was with him, he stepped back, put the microphone back in the stand and started doing his material.

This time the audience LOVED him AND his material. They followed him, GOT the material, laughed at the material, and it was a great show. He walked off stage to big applause.

So I had to ask him about it – right?

————————————————————————————-

Sign up now through this LINK for Dave’s free newsletter

81GJkRCQdZL._SL1500_

Receive 20% off at Amazon.com for How To Be A Working Comic

———————————————————————————

He reminded me that all comedians start out as MC’s in clubs. That’s where you break in and get your earliest on stage experience. It’s how you develop your writing and performing skills in front of listeners who will respond – positively or negatively. And one of the most important jobs of being an MC is to warm up the audience (make them laugh) and get them involved in the show.

What’s the best way to do that? Talk TO and WITH them.

He had developed the skill, talent and experience for doing that – and could call on it whenever he needed to. Not only did I see (and talk with) comics using this technique in Los Angeles, but also when I worked at The Improv clubs in New York and Cleveland. It’s nothing this particular comic simply tried on a whim because others had already proven it can help defuse a bombing situation.

So in other words, I could also name (drop) other comics I’ve watched do this and also tell you they gave me the exact same explanation. When they were MC’s moving up in the biz, they learned how to talk TO and WITH an audience. It’s an important learned skill and a way to keep them involved, interested and (hopefully) laughing. And when that’s happening you’re not bombing.

So if it happens, start talking. Otherwise, just get used to the duck and cover method of surviving on stage.

Have a comment? Please use the form below.

Thanks for reading and as always – keep laughing!

————————————————————————————-

Dave Schwensen is the author of How To Be A Working Comic: An Insider’s Business Guide To A Career In Stand-Up ComedyComedy FAQs And Answers: How The Stand-Up Biz Really Works, and Comedy Workshop: Creating & Writing Comedy Material for Comedians & Humorous Speakers.

For details about upcoming comedy workshops at the Chicago, Cleveland and Tampa Improv Comedy Clubsprivate coaching by Skype or phone, and to receive our bi-weekly newsletter visit www.TheComedyBook.com

Copyright 2016 – North Shore Publishing.

Different performances for different audiences

August 21, 2016

Hey Dave – Last week you talked about personalizing material for corporate shows. So when comedians talk about “knowing your audience,” does that mean you should have entirely different acts for different audiences? – S.A.

Hey S.A. – That depends on a few things such as the material, how it’s delivered and the audience. A lot of comedians are experts at “crossing over” and playing to a wide range of audiences. Others have a niche – an audience demographic they focus on – and know better than to perform where they probably will not be welcome or appreciated.

For two extreme examples…

  • An x-rated comedian is not going to do church shows. On the other hand…
  • A Christian comedian probably won’t be included in an adults only x-rated comedy show.
shocked-crowd

A lesson to be learned

That’s pretty much a no-brainer in the biz. Comedians should know that. If they don’t, then they’re setting themselves up for a hard-learned career lesson. But it’s also important to realize…

Comics have to stay true to themselves and “who they are.”

Many have no interest changing who they are on stage – their comedy voice – just to play in front of an audience that won’t relate to them or laugh at their material. But on the the flip side, others know a few simple changes in their material and delivery can open the possibility for more bookings.

How you want to play it depends on you. I’m just telling you there are ways.

Experienced comedians and speakers often customize their shows. There are a couple benefits in doing this:

  • It could lead to more paid bookings and…
  • It could lead to charging a higher fee for your performance.

Let’s tackle that second one first. I know the term higher fee has the ability to raise the interest of some readers. Especially in the higher paying corporate market when an event planner might contact you to discuss a corporate show booking.

You could have a set fee just for your regular performance. BUT if they would like you to customize it for a specific audience – say a group of financial investors, gourmet chefs, flight attendants or whatever – you could customize the material toward that audience for a higher fee.

————————————————————————————-

Sign up now through this LINK for Dave’s free newsletter

81GJkRCQdZL._SL1500_

Receive 20% off at Amazon.com for How To Be A Working Comic

———————————————————————————

I wrote about this in the last Comedy FAQ And Answer, but I’ll repeat the important stuff…

The selling feature is that it will take extra work on your part in researching who they are (your audience), writing new material, or making specific changes – customizing – what you already bring to a corporate show. But you explain to the event planner that it’s worth the extra money because your performance would be specifically for their group. For instance, you would actually use the name of the company in your performance, what they specialize in, their clients or competitors, where employees hang out after work, the city where they’re located, and even mention the names of a few key people in the company.

What you come up with and can offer in a customized performance is up to you.

For all the extra work and research you put into preparing the customized gig, you ask for a higher fee. A lot of comedians and speakers do this. If the client responds by saying your fee is now too high for their budget, you have room to negotiate. Explain they can still book you for the event at your regular (lower) fee and you will do your regular act, which is what they called you about in the first place.

Customizing your material means to personalize it toward the audience. But it also doesn’t mean you need a completely different act. It’s all about knowing your audience.

Here’s an example…

A very good friend of mine in the comedy biz – and I won’t mention his name here, but as a hint he’s interviewed in my book How To Be A Working Comic – is a master at this. He has decades worth of material and can do a different act every night if he wants to.

laughing audience

Earning the BIG bucks!

But he also has a definite comedy voice.

He probably doesn’t know anything about investment bankers, gourmet chefs or flight attendants, but put him in front of an audience of investment bankers, gourmet chefs or flight attendants at an event and he’ll make them laugh.

That’s what he gets paid big bucks for.

This comedian can do an adult midnight show in a comedy club and be as raunchy as any x-rated comedian in the biz. A lot of his material is about growing up with a large family in an inner city and all the characters in his life. His language can be filled with “F-bombs” and other choice words and I’ve seen him – many times – bring down the house with the bluest (adult) comedy you can imagine.

But the next day (and he’s done this for years) he could be wearing a suit and tie and doing a clean, G-rated corporate show for a group of say… investment bankers, gourmet chefs or flight attendants. Since this is not a typical comedy club audience, the x-rated “F-bombs” are definitely not welcomed – or tolerated.

But the comedian’s job requirement is the same. He is being paid to make them laugh.

So what does he talk about?

The SAME topics he talked about at the late night, x-rated comedy club show the night before. His large family, growing up in an inner city and the characters in his life.

—————————————————————————-

Dave’s August 2016 Comedy Workshop at

The Cleveland Improv SOLD-OUT!

Workshop Marquee 150

Showcase performance at The Improv

Wednesday – August 24 at 7:30 pm

For information about upcoming workshops in

Chicago, Cleveland and Tampa

visit TheComedyBook.com

*

———————————————————

But he customizes it based on the audience. He simply takes out the raunchy stuff. His punch lines and descriptions don’t rely on “F-bombs” and other choice words. The material and stories are just as funny without the added adult language and delivery.

He doesn’t have two completely different acts. He has two completely different audiences.

He knows his audience and plays to his audience.

Would this work for you? It depends on who YOU are on stage as well as WHO your audience is. Could your current set with a few changes work in front of very different audiences? If it does, then you don’t need two completely different acts. If it doesn’t, either write a separate act for clubs, corporate events or colleges (I know comics that do this) or find your niche and stick with it.

The choice is completely up to you as a creative artist. Some comedians could care less about the money and different markets because they’re more interested in the art of creating, performing and personal expression. Others find a good corporate booking helps fund the raunchy madness at a late night adult comedy show. How you want to play it is all up to you.

Have a comment? Please use the form below.

Thanks for reading and as always – keep laughing!

————————————————————————————-

Dave Schwensen is the author of How To Be A Working Comic: An Insider’s Business Guide To A Career In Stand-Up ComedyComedy FAQs And Answers: How The Stand-Up Biz Really Works, and Comedy Workshop: Creating & Writing Comedy Material for Comedians & Humorous Speakers.

For details about upcoming comedy workshops at the Chicago, Cleveland and Tampa Improv Comedy Clubsprivate coaching by Skype or phone, and to receive our bi-weekly newslettervisit www.TheComedyBook.com

Copyright 2016 – North Shore Publishing.

Top 10 Networking Jokes For 2015

December 27, 2015

Another year with more laughs? Sounds good to me. But before we move ahead, let’s take a look back at what made us laugh in 2015. And in case you haven’t caught on yet, that’s a good excuse to list The Top 10 Networking Jokes For 2015.

Though I’ve been doing this newsletter for a lot longer, I didn’t come up with the brilliant idea of sharing your jokes with links to your websites, videos and other marketing sites until the last few months of 2010. Since then there have been 224 jokes shared in this newsletter. If we put them all together (35 pages!) it might make a good Comedy Central special or at least a decent open-mic set – ha!

So to ring out the old and ring in the new, here in no special order are 2015’s Top 10 Networking Jokes for How To Be A Working Comic and Humorous Speaker. We’ll pick up where we left off in 2016, so if you have a website, video, upcoming show, Facebook page, Twitter, LinkedIn or other site you’d like to promote to your fellow readers, send me an email. After all, it’s all about networking…

Thanks for reading and being an important part of this large circle of comedians, humorous speakers, talent reps and talent bookers. I hope you have a very productive and laugh-filled New Year!

Keep Laughing!

Dave Schwensen

*

TOP 10 NETWORKING JOKES FOR 2015

1. Three women die together in an accident and go to heaven. When they get there, St. Peter says, “We only have one rule here in heaven. Don’t step on the ducks!”

So they enter heaven and sure enough, there are ducks all over the place. It is almost impossible not to step on a duck, and although they try their best to avoid them, the first woman accidentally steps on one. Along comes St. Peter with the ugliest man she ever saw.

St. Peter chains them together and says, “Your punishment for stepping on a duck is to spend eternity chained to this ugly man!” The next day the second woman steps accidentally on a duck and along comes St. Peter, who doesn’t miss a thing. With him is another extremely ugly man. He chains them together with the same admonishment as for the first woman.

The third woman has observed all this and, not wanting to be chained for all eternity to an ugly man, is very, VERY careful where she steps. She manages to go months without stepping on any ducks, but one day St. Peter comes up to her with the most handsome man she has ever laid eyes on… very tall, long eyelashes, muscular, and thin. St. Peter chains them together without saying a word.

The happy woman says, “I wonder what I did to deserve being chained to you for all of eternity?” The handsome guys says, “I don’t know about you, but I stepped on a duck.” – Brian Luoma

*

2. Last night I decided to go out to just hang out and have a beer, then I fell asleep while planning what to wear. This morning I realized, my trash goes out more than I do. – Vernon Davis

*

3. I was reading an article last week about Fathers and Daughters, and memories came flooding back of the time I took my Daughter out for her first drink. Off we went to our local Pub, which is only two blocks from the house. I got her a Guinness Stout. She didn’t like it – so I drank it. Then I got her an Old Style – she didn’t like it either, so I drank it. It was the same with the Coors and the Bud. By the time we got down to the Irish whiskey . . . I could hardly push the stroller back home. – Bob Stefani

*

4. “It’s not that I’m fat. It’s just that I’m modest and don’t want my bones to show.” – Lynn B. Johnson

*

5. A man and a little boy entered a barbershop together. After the man received the full treatment – shave, shampoo, manicure and haircut, he placed the boy in the chair. “I’m going to buy a green tie to wear for the parade,” he said. I’ll be back in a few minutes.”

When the boy’s haircut was completed and the man still hadn’t returned, the barber said, “Looks like your daddy’s forgotten all about you.”

“That wasn’t my daddy,” said the boy. “He just walked up, took me by the hand and said, “Come on son, we’re gonna get a free haircut!” – No Name.

—————————————————————————-

Comedy Workshop at The Tampa Improv

Workshop Marquee 150

Starts Saturday, January 23, 2016

Includes a performance at The Tampa Improv on Wednesday, February 10th at 8 pm!

Visit TheComedyBook.com for details, reviews & registration

*

Winter 2016 workshop dates for Chicago and Cleveland TBA

———————————————————-

6. “Things are so bad in the world, I just started my own Kickstarter campaign for world peace – and now I owe them money. 42,000,000 dollars and a Get Out Of The USA Free card… Oy!!!” – Dave Weiser

*

7. “Middle life is not a crisis. It’s a waterslide to old age.” – Marilyn Mandel 

*

8. “I went skydiving the other day. It was the most exciting thing I’d ever done and the scariest. Like marriage. Except skydiving has a higher success rate.” – Don Cooper

*

9. The shark had punched a hole in the bottom of the boat and we started taking on water. With nothing to plug the hole the Captain said, just sit on it. I did but the leak got worst. Remembering JAWS, I yelled “We’re gonna need a bigger Butt!” – Bob Moher

*

10. “A guy walking along the beach finds a bottle. He pulls out the cork, and a genie appears and tells him he has three wishes. “But,” the genie says, “I have to warn you, whatever you receive, your worst enemy will get twice as much as you.”

“Okay,” says the guy, “first, I want ten million dollars.” The genie grants the wish and reminds him that his worst enemy now has twenty million dollars.

“Next wish, I want a thirty-room mansion in the Bahamas.” The genie builds the mansion for him, and lets him know that his worst enemy now has a home twice as big.

“Fine. For the last wish,” the guy picks up a big stick and hands it to the genie, “beat me HALF to death.” – Debbie (my wife who thinks she’s funny telling old jokes..).

*

Comment? That’s what the form below is for. In the meantime, thanks for reading and as always – keep laughing!

————————————————————————————-

Dave Schwensen is the author of How To Be A Working Comic: An Insider’s Business Guide To A Career In Stand-Up ComedyComedy FAQs And Answers: How The Stand-Up Biz Really Works, and Comedy Workshop: Creating & Writing Comedy Material for Comedians & Humorous Speakers.

For details about upcoming comedy workshops at the Chicago, Cleveland and Tampa Improv Comedy Clubs, and private coaching by Skype or phone visit www.TheComedyBook.com

Copyright 2015 – North Shore Publishing.

————————————————————————————-

Sign up now through this LINK for Dave’s free newsletter

81GJkRCQdZL._SL1500_

Receive 20% off at Amazon.com for How To Be A Working Comic

———————————————————————————