Archive for the ‘Public Speaking’ Category

Using a stage name – can you live with it?

July 31, 2019

Hello Dave – I am very proud of my name, but for as long as I can remember people have never been able to say it. I’m starting to wonder if I should go with a stage name. Even if you are against them, how do you go about using a stage name? How do you manage introducing yourself and, in the future, how do you handle payment when you go by a stage name? Thanks – K

Fill in the blank

Hey K. – The question you need to ask about using a stage name is if you can live with it. And if you happen to become successful – can you live with it for a looong time?

It might be cool now, but what if you get tired of it later? If you’re just starting your career and still learning who you are on stage, what if that name doesn’t fit anymore? For an extreme example, using the name “Goofy” (sorry Disney fans) might get some laughs at an open-mic, but somehow I don’t see it enhancing the career of a corporate comedian.

I could be wrong, which is not unheard of. Then again, it’s something to think about.

Let’s put it another way. If you’re just starting out in your career, you might be wearing jeans and a t-shirt on stage. But as you progress, maybe you grow into wearing a suit and tie. I’ve seen it happen. But if all your promo material (photos and videos) shows you in jeans – then you’ll have to update everything.

But one thing that is more difficult to change is name recognition. If all your contacts and clients know you by name, then changing your name means you need to introduce yourself all over again. It’s like starting from scratch.

So if you’re considering a stage name, be sure you can live with it for a looong time.

Carrot Top

This topic has come up in my books How To Be A Working Comic and Comedy FAQs And Answers. In the first one, Scott Thompson told me there was already a comic actor with that name. Since Scott was a marketing major in college, he was educated enough to know he needed something that was different and “marketable.”

So he went with Carrot Top. To quote him from the book:

“The first time someone across campus yelled, ‘Hey, Carrot Top!’ I thought, ‘Oh Lord, do I really wanna do this to myself?’ But now it’s second nature.”

The second book example comes from the comedian Earthquake:

“Earthquake was a childhood name. My real name is Nathaniel Stroman. And when you play for an urban audience, it just don’t roll off the tongue. You know, ‘Give it up for Nathaniel Stroman!’ ‘Boo, *#@#*! Boo!!’ That’s right off your name! So I had to get something that would give me a fighting chance.”

A stage name is totally a personal decision. If you already have a nickname or come up with something memorable, give it a shot. But keep in mind if you start finding success under that name, it’s very tough to change. Just ask John Cougar Mellencamp.

Introducing yourself is another matter. You can choose to have an entertainment persona and a personal life. There are some very famous celebrities who do just that. The former drummer of The Beatles is known throughout the world as Ringo Starr. But his family and friends call him “Ritchie” since his real (and legal) name is Richard Starkey. To the best of my knowledge, his appearances, promotions and autographs are by “Ringo Starr” and for contracts and payments it’s for “Richard Starkey.”

And for those of us outside his close circle of friends and relatives it’s Sir Richard Starkey.

So in your comedy career, you should promote yourself as your stage name and handle all business as your legal name. When it comes to your personal life, do what you wish.

—————————————————————————-

August 2019 Comedy Workshop at The Cleveland Improv

SOLD OUT!!

Saturdays – August 3, 10 and 17 from noon to 4 pm

Evening performance at The Improv – Wednesday, August 21st

Workshop Marquee 150

Workshops are limited to 11 people age 18+

To join waiting list if space opens send an email to dave@thecomedybook.com

For details on Cleveland & Chicago workshops visit…

TheComedyBook.com

*

———————————————————

In the comedy biz I’ve seen more stage names than you might think. And usually I’ve had no idea the performer was using a stage name until their real name was on a contract.

So if you don’t change your name legally, you’ll eventually end up using both. It can be confusing sometimes, but for promotional purposes everything is done using your stage name. For legalities it’s your real name.

BUT before I go into this more, it’s important for me to make it clear I’m not a lawyer and this is not legal advice. I’m just passing it along based on my past experiences. So before you even think about following the following, make a smart move and talk with a real lawyer.

Years ago when I was managing comedians and speakers, I asked a lawyer and a banker about performers using a stage name. I thought they would be the two most important people to ask if the talent wanted to get paid – and pay me a commission.

Earthquake

The advice was to have a bank account in your legal (real) name. If a talent booker writes you a check using your stage name, you sign the back with your stage name. Then underneath, you sign your real name.

It’s a double endorsed check, which is legal and can be deposited in your legal name bank account.

But if you’re looking at direct bank deposits (rare in the performing biz since most bookers and event planners pay with checks, cash or through an online service like PayPal), then you’ll have to use your stage name for all appearances and promotions, and your legal name on all contracts and other business paperwork.

Using two names has been done a lot before and will continue. You just need to be very clear about everything for contracts, tax forms, and all the other important legal stuff.

Many performers have chosen not to change their hard-to-pronounce names, have become famous, and people learn to say their names correctly because they hear it so often. Arnold Schwarzenegger is an example. I saw him interviewed on television once and he said his goal was to become so famous that Americans would have to learn how to pronounce it. At first his mispronounced name was a punch line for every late night television and radio host. But eventually, everyone knew it and could say it. Guess his plan worked – all the way to blockbuster movies and the California Governor’s Mansion.

Another consideration for a name change should include any future showbiz career goals.

If you ever get into acting or voice overs, the Screen Actors Guild (SAG) and the American Federation of Television and Radio Actors (AFTRA) – merged since 2012 as “SAG-AFTRA” – only allow ONE name in their membership. So if you choose something simple like “Goofy” and someone else is already registered by that name in the union, you’ll have to pick something else.

That’s true also if you’re using your legal name.

————————————————————————————-

Sign up now through this LINK for Dave’s free newsletter

And visit Dave’s author page at Amazon.com

———————————————————————————

So my advice is to make the change only if you think it’s really necessary and will further your career. But be sure you can live with it. The only one I can think of who “took it back” after he became famous was John Cougar… uh, I mean John Mellencamp.

More advice?

My last name has been mispronounced every way possible. So when I have a speaking gig, I give the person introducing me a printed introduction (in a larger font than what you’re reading here). On it I have my name spelled out phonetically as “Sch-wen-sen.” That way they can usually say it correctly. Since you mentioned being very proud of your name, I would suggest trying that for a while before making the huge commitment of changing it.

If you still decide to go with a stage name, keep in mind there’s already a Carrot Top and Earthquake in the acting unions. You’ll have to come up with something original and one you can live with – maybe forever.

Have a comment? Please use the form below.

Thanks for reading and as always – keep laughing!

*

Dave Schwensen is the author of How To Be A Working Comic: An Insider’s Business Guide To A Career In Stand-Up ComedyComedy FAQs And Answers: How The Stand-Up Biz Really Works, and How To Be A Working Corporate Comedian: A Step-By-Step Guide Into Launching & Building Your Career.

For details about upcoming comedy workshops at the Cleveland and Chicago Improv Comedy Clubs; private coaching by Skype or phone, and to receive our bi-weekly newsletter visit www.TheComedyBook.com

Copyright 2019 – North Shore Publishing.

Advertisements

The cure for stage fright?

January 27, 2019

Hi Dave – I have terrible stage fright. I think I’m a pretty good writer, but I can’t even think about getting up in front of an audience without breaking into a sweat. Have any cures? – T.

Hey T. – Don’t sweat it (sorry – you set me up and I couldn’t resist opening with that line) because you’re not alone. I’ve read that stage fright, or the fear of speaking in public, has been called the number one fear most people have – even more than death.

And now that I’ve set this bit up, Jerry Seinfeld has a very funny observation about the subject…

According to most studies, people’s number one fear is public speaking. Number two is death. This means to the average person, if you go to a funeral, you’re better off in the casket than doing the eulogy.

Now that we’ve established that you’re suffering from a very common fear, you need to be told there’s no quick fix. But there is help:

Preparation and experience.

The best advice I have for aspiring comedians going on stage for the first time is to prepare in advance what you will say. Unless you have an innate (natural) talent for ad-libbing and improvising, don’t just try to wing it or hope something funny will happen. You can work on those aspects of your performances later when you’re more comfortable on stage. Do your best to either write out or at least outline a short comedy set – and know it.

When starting out at open mics you can even take your notes on stage or have them in your pocket to use in case of an emergency – like a security blanket. After all, your first times on stage will not be auditions for Comedy Central, so put the odds in your favor of at least getting through what you want to say in spite of any nerves or stage fright.

I’ve talked with comedians about this because as mentioned above, you’re not alone. It can be very scary walking on stage alone in front of an audience for the first time. One thing most (I want to say all but can’t remember for sure) of them told me was that they relaxed (a bit) after getting a laugh. It meant approval from the audience, which gave them enough of a confidence boost to continue talking. So, let’s include that one in the advice column:

Try to get a laugh as soon as possible.

The best way to do that is to open with what you feel is your best chance to get that laugh. It could be your funniest joke, line, bit, prop, story or whatever. I remember a very famous comedian opening his set at The Hollywood Improv by pretending to slip and fall down because he accidentally knocked over a drink on the front table while walking on stage.

Silly? Yeah. Stupid? Some might think so. Did it get a laugh? HUGE!!! He stood up, the audience was still laughing – and he was in complete control for the rest of his show.

Yes, I know he had a lot of stage experience, but that experience told him to open his show with a laugh. And in the comedy biz, laughter can build confidence. If you don’t believe me, imagine how you’d feel on stage without it.

You won’t really know how funny your material is until you try it in front of an audience. But when you’re just starting out the goal is to actually have something to say, rather than opening your mouth and risk having nothing come out. Preparation may not cure stage fright, but it could help take away some of the nerves and make that first step easier since you’ll already know what you will say.

Many experienced comedians have also told me the first laugh they received from an audience is what made them continue going on stage. The word most used is “addictive” (a word that’s been popular in the comedy biz for a long time). When you get that first laugh it feels so good you want to get it again.

—————————————————————————-

Winter 2019 Comedy Workshop at The Cleveland Improv

SOLD OUT!!!

Performance at The Improv – Wednesday, January 30 at 7:30pm

Workshop Marquee 150

For information about upcoming Chicago & Cleveland workshops visit…

TheComedyBook.com

*

———————————————————

There’s no guarantee and as mentioned, this is not a quick fix for stage fright.

But one thing I love as a coach (and also when I used to attend countless open mics in New York and Los Angeles) is watching a new comedian get more confidence with each laugh from an audience. Seriously, I can actually see it on their faces and in their delivery.

When they get a laugh – that great addictive feeling – it helps motivate comedians to see if they can make it happen again. It’s the main reason to get back on stage. It builds confidence and dedication to do comedy.

That in a nutshell is the preparation part. The rest of the cure comes through experience. Stage time. The more you do something that is enjoyable or at least somewhat successful, the less you should fear it.

At first you may just have to psych yourself out and do it.

For example, I hate heights but love roller coasters. Yeah, I know… but I don’t have enough money for a shrink…. Some of the tallest in the world are in an amusement park not too far from us and they scare me to death just looking at them. My knees literally shake (like the first time I did an open mic in New York). But I (actually my kids) wouldn’t let it stop me. I may have to ride it once, twice – or even a dozen times with my eyes closed, but eventually I’ll take a look around from the top of the highest hill and watch the rest of the ride while screaming all the way to the end.

Much like the first time I did an open mic.

Consider stage fright as being similar to other fears you’ve overcome.

You might have been scared about a first day of school, moving to a new city or starting a new job. But you kept with it and eventually felt comfortable. It can be the same going on stage and speaking in public.

————————————————————————————-

Sign up now through this LINK for Dave’s free newsletter

81GJkRCQdZL._SL1500_

And visit Dave’s author page at Amazon.com

———————————————————————————

I know comedians that have told me they’ve never gotten over stage fright.

They just wouldn’t let it stop them and learned how to deal with it. They say their nervousness keeps them more aware – more real – on stage. There’s no way they could ever sleep walk through their act, which is what you call it when someone goes on stage and just repeats their memorized act word for word in a way that’s old, stale and boring both for the audience and the comedian. The heightened nerves keep them more in tune with everything that’s happening in the room and their minds in the moment.

And that’s where you need to be if you eventually start taking advantage of your innate talent for ad-libbing and improvising off an audience.

As usual, I have one last example. Fans of classic rock should love this. But for the younger comics… well, just humor me for moment.

One of my books is about The Beatles 1965 concert at New York’s Shea Stadium in front of 55,600 fans. At that time, it was the largest rock concert ever held and the Beatles were the biggest rock band in the world. They had played hundreds of shows and performed live in front of millions of viewers on the most watched television programs in the world. But the one common thread I found from all the interviews I did with people that were with them backstage at Shea Stadium was how nervous they were. The Beatles were shaking in their Beatle boots. But after they were introduced and ran onto the stage, their preparation (knowing their act) and experience (hundreds of shows) took over. By the end of the concert they were doing comedy bits between songs and having as much fun (probably more) than anyone else there.

Stage fright? I don’t know of a quick fix or a cure. But I do know if you want it bad enough, preparation will help you get on stage and experience will keep you going back.

Have a comment? Please use the form below.

Thanks for reading and as always – keep laughing!

*

Dave Schwensen is the author of How To Be A Working Comic: An Insider’s Business Guide To A Career In Stand-Up ComedyComedy FAQs And Answers: How The Stand-Up Biz Really Works, and Comedy Workshop: Creating & Writing Comedy Material for Comedians & Humorous Speakers.

For details about upcoming comedy workshops at the Cleveland and Chicago Improv Comedy Clubs; private coaching by Skype or phone, and to receive our bi-weekly newsletter visit www.TheComedyBook.com

Copyright 2019 – North Shore Publishing.